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Ricky Sweum – More Than Imaginable

Product Description

Release date: February 1, 2012 (NINJAZZ 1201)

Saxophonist Ricky Sweum joins forces with the world-renowned talents of drummer Clarence Penn, pianist Edward Simon, and bassist Dave Robaire. This fiery and exciting session captures 10 uniquely varied Sweum originals. The disc showcases his penchant for modern-grooving- free-blowing vamps coupled with beautiful melodic playing reminiscent of classic ECM recordings of the 1970’s.

CD Information:
Ricky Sweum (tenor & soprano saxes)
Clarence Penn (drums)
Dave Robaire (bass)
Edward Simon (piano)

Track Listing:
01. Earth Squid
02. Barry’s Barnacle Blues
03. Sleeping Man
04. More Than Imaginable
05. Canyon Dance
06. Belonging
07. Kiva
08. Things You Think You Have To Do
09. Chekhovian Circus Song
10. Kerabag’s Trance

All compositions by Ricky Sweum, Molecular Expansion Music (BMI).
Recorded June 8th, 2011 at Acoustic Recording, Brooklyn, NY, USA.
Recording Engineer: Michael Brorby.
Mixed and Mastered by Michael Perez-Cisneros, Brooklyn, NY, USA.
CD Design by Donald Wallace/Wallace Creative Inc.
Photographs by Kofi Okai.
Produced by Ricky Sweum.

Personal website: RickySweum.com

Reviews

  1. :

    Published on CriticalJazz.com

    Ricky Sweum is one of thousands of musicians working the scene today that is working more than one job. Sweum’s work as a recording artist may in fact be considered secondary to his primary position as working for the Air Force Band of the Pacific stationed in Anchorage, Alaska where he tours the United States, Japan and Australia. It’s not just a job it’s an adventure. O.k. wrong branch of the service but you feel me.

    Sweum is a name to remember, an up and comer having been featured in the Random House book, “The New Face of Jazz: An Intimate Look at Today’s Living Legends and the Artists of Tomorrow” (2010). As a military musician, Sweum has performed before millions throughout the United States and at such notable venues as Carnegie Hall, Monterey Jazz Festival and the Macy’s Day Parade to name but a few.

    More Than Imaginable is the latest release from Sweum, a blistering session capturing 10 varied Sweum originals proving his more than ample talents as one of a half dozen true jazz triple threats. Performer, composer and producer has Sweum quickly moving to the top of the straight ahead line of all star performers. “Earth Squid” is a blistering vamp showcasing Sweum’s ability to more than hold his own on any bandstand today. The dialed back swing of “Barry’s Barnacle Blues” has Sweum performing double duty on soprano saxophone while a first call rhythm section anchored by the controlled sonic fury of drummer Clarence Penn owns the pocket. Bassist Dave Robaire and pianist Edward Simon round out this stellar rhythm section that can lay down a groove as tight as any rhythm section working today. Sweum’s soprano work is lyrically straight ahead – Coltrane-eque if form and functionality. Perhaps the most captivating aspect of this formidable 4tet is that even Sweum’s sound gracefully sidesteps strict categorization. Straight ahead, post bop or hard bop or perhaps a more individualistic style that brings the listener close to the avant-gard cliff without ever coming close to pushing them or the band over the sonic edge. “Belonging” is a beautiful more ballad oriented tune that seems somehow magically lost in sonic space. Pianist Edward Simon moves the lyrical direction while keeping harmonically grounded but dynamically diverse.

    More Than Imaginable is indeed a magnificent work lost in space. Modern post bop with a retro-groove of a time gone by, Ricky Sweum is charting his own musical course and that is one of the road less traveled.

    5 Stars

  2. :

    Published on AllAboutJazz.com

    West coast saxophonist Ricky Sweum grew up in Eugene, Oregon, and spent many years as a freelance musician in New York before embarking on a military career, joining the Air Force Academy Band in 2003. After a stint with prestigious jazz big band The Falconaires as lead tenor, in 2011 he moved on and now works with the Air Force Band of the Pacific in Anchorage, Alaska where he tours the U.S., Japan and Australia. Still, Sweum manages a professional career separate from his military commitments, where an extensive résumé finds him as a sideman as well as dabbling with some independent material dating back to 1994. On More Than Imaginable, Sweum reveals more of his own work, on his own label and with a first-rate lineup—altogether resulting in a surprisingly top-notch recording.

    More Than Imaginable represents Sweum’s second major release as leader since his 2009 Origin Records debut, Pulling Your Own Strings. Piloting a quartet featuring Venezuelan-born piano wonder Edward Simon, drumming sensation Clarence Penn and Southern California bassist Dave Robaire, Sweum takes to the air with ten sophisticated and varied originals, continuing his exploration of modern jazz in creative fashion. The innovative new sounds start in electrifying style with the hard-driving “Earth Squid,” a high-flying energetic piece capturing strong performances from both the saxophonist and drummer Penn. Simon and Robaire take their turn on the intricate “Barry’s Barnacle Blues,” which features Sweum on soprano.

    Though there are plenty of solid solos and other highlights on this fine disc, the title track and subsequent “Canyon Dance” provide special moments, delivering the best solo spots from both Simon and Sweum. “Belonging” and “Kiva” are similar in texture—both clearly gems of modern music, though the latter has a more percussive feel. Sweum’s tender tenor leads the music on a brief but beautiful “Things You Think You Have To Do,” a deliciously light ballad featuring brushes, a soft touch from Simon and Robaire’s delicate bass lines.

    While Sweum’s dazzling statements on both tenor and soprano saxophones remain a key feature, it is his skill as a composer that may leave the most lasting impression. This ten-piece repertoire of originals concludes with his most ambitious composition, engaging the band on “Kerabag’s Trance,” its mesmerizing sound enduring long after an almost ten-minute duration. Serving as a natural vehicle of modern jazz, More Than Imaginable captures Sweum’s penchant for modern grooves and melodic playing in a highly accessible album that’s far better than can be imagined.

  3. :

    Published on Jazz&Drummer
    [Japanese Jazz Site]

    先日聴いた「Edward Simon, Scott Colley, Clarence Penn / A Master’s Diary(別頁あり)」でも、なかなかの相性の良さみせていたエドワード・サイモン、クラレンス・ペン買い。リーダーのリッキー・スウェウム(?)はこれが初聴き。マイケル・ブレッカーをアイドルとするテナー奏者だそうだけど、そういえば裏ジャケの風貌もそっくりだね。本人のサイトによると、フリーランスのミュージシャンとしてNYで10年間活動した後の2003年に空軍バンドに所属。現在もアラスカ州に駐留している太平洋空軍バンドのために働いているようだ。リーダー作は「Ricky Sweum/Pulling Your Own Strings(09年)」「Ricky Sweum/Live @ Cucuru 2009(10年?)」に次ぎ、これが3枚目となる。スウェウムと同じく、デイヴ・ロベイレ(?)も聞いたことのないベーシスト。本人のサイトを見ても経歴等はイマイチ分からないが、リーダー作は「Dave Robaire/Away and Back(09年)」がリリースされていて、それにもサイモンが参加(ドラムスはマーカス・ギルモア)しているので、本レコーディングはその流れなのだろう。

    全10曲がスウェウムのオリジナル。
    4ビートと8ビートが入り混じったアップテンポな1曲目からスウェウムは快調に飛ばしているのだが、そのフレーズといい醸し出している雰囲気といい、やはりブレッカーによく似ているね。さすがにブレッカーほどの速いパッセージでは攻め切れていないけど、本演奏を聴くとスウェウムがブレッカーのことを相当好きなのがよく分かる。またテンポの速い曲だけあってサイモンとペンもガンガン攻めまくっていて、買ってよかったという気にさせてくれる。ミディアムテンポの4ビートの2曲目は、4拍子が8小節、3拍子が4小節、5拍子が4小節といった変則的なブルース進行の曲調の中、またサイモンとペンがガツンといっているし、テナーのときとはアプローチを変えながら吹いているスウェウムのソプラノもいい塩梅。またこの曲で初めてソロを取っているロベイレの、ガッツのあるプレイにも好感が持てる。基本ブルースのおかげで、けっこう凝った曲作りをしているわりには分かりやすいというのもまたいいね。6/8拍子の3曲目は、「タンタン、ンタンタ、アータン」というリズムが印象的。そのリズムに乗っかりスウェウム(この曲ではテナー)がアグレッシブなプレイを展開しているし、ビートが変わってからのペンの超ロング・ドラムソロ(最初はバッキングありで、後半は本格的なドラムソロへと突入)も文句なしに素晴らしいおかげで、最高にいい感じで楽しむことができる。4曲目はバラード調の出だし部分でスウェウムが完全にブレッカーになり切って吹いているのがまずいいね。ミディアムテンポの4ビート(4拍子がしばらくすると3拍子に変化する)になってからのサイモンのピアノも、余裕たっぷりに弾いていながらも聴かせどころをきちんと押さえていてさすが。その後に続くスウェウムのアドリブは、出だしほどブレッカー調ではないものの、これまた非常に魅力的なフレーズを吹いていて感心する。ソプラノによる5曲目はボサノバ調(といってもかなりダイナミックだが)の8ビート曲。2曲目でも感じたけど、ソプラノを吹いても変に爽やかな方向には行っていないのがいいところだね。
    残りの曲は省略するけれど、ブレッカー調のテナーを吹いているのが私の嗜好とも合致するし(ソプラノも良好)、作曲面においても変則的な曲作りのものがあるわりには、小難しさは一切感じられなくてグッド。それに加えてカルテットとしての演奏も文句のつけようがないほどにカッコよくて、本作は買って大正解だった。録音も各楽器が普通に良い音で録れているしね。ただしサックスは音像的に若干右寄りなので、これをセンターにビシッと決めて、その分ドラムスをもう少し右に寄せた方がバランスとしてはよかったのではと思う。

    評価☆☆☆☆ (☆最悪!、☆☆悪い、☆☆☆普通、☆☆☆☆良い、☆☆☆☆☆最高!)

  4. :

    Published on All Jazz Sax

    I got wind of a saxophone player I’d never heard of before named Ricky Sweum from listening to an interview with him on the “Best Saxophone Website Ever.” I then checked out Sweum’s website, listened to some samples I liked, and decided to check out his latest recording, “More Than Imaginable” (Ninjazz Records).

    Sweum was a freelance musician in NYC; since 2003, he’s been in various Air Force jazz ensembles. I suspect that the Air Force demands impeccable musicianship from any members of its bands, and, based on “More Than Imaginable,” Sweum fits this bill. His sound is clear and strong and his technique is excellent, on both tenor and soprano. Also, he’s one of those saxophonists (like Walt Weiskopf) who considers his composing as important as his playing and is equally competent at both. All ten tracks on “More Than Imaginable” were composed by Sweum.

    The first track, “Earth Squid,” is a lively, up tempo tune, and Sweum’s playing is driving and fluid. Pianist Ed Simon exhibits similar qualities in his solo, perhaps employing even more drama and progression than Sweum. “Barry’s Barnacle Blues” is a clever, well-disguised blues. Here, Simon solos first, sailing through the tune’s tricky changes. Sweum follows on soprano with a solid, graceful solo. “Sleeping Man” is an intense, up tempo, modal tune that has Sweum on tenor at his most Brecker-like, bending notes and screaming in the upper register (though without as much false fingering as Brecker would use). Drummer Clarence Penn adds fills over a vamp before having the stage all to himself for a nice solo. The title track is a slow, pretty ballad whose melody gets stuck in your head. Both Simon and Sweum (again on tenor) play through slow and then double-time sections in their fine solos. “Canyon Dance,” with Sweum back on soprano, is an upper mid-tempo, straight ahead tune, with Sweum flying through the changes and Simon displaying great chops while maintaining his expressiveness. Bassist Dave Robaire solos before the tune ends with some nice improvised interplay between all the players.

    “Belonging” (not the Keith Jarrett tune) is a pretty composition played at mid-tempo, with Simon sounding Corea-esque and Sweum back on tenor. “Kiva” is also a mid-tempo tune, giving the opportunity for Sweum (on tenor) and Simon to really dig into the tune with probing solos. “Things You Think You Have to Do” is a languid ballad. The solos from Simon, Sweum, and Robaire are fine and seem too brief. “Chekhovian Circus Song” is an angular tune, both melodically and harmonically, with Sweum on soprano. The album closes with “Kerabag’s Trance.” This tune begins like a slow tango, with Sweum playing tenor, employing some screaming in the upper register like Jan Garbarek. After Simon solos, Sweum continues in Garbarek mode, using dramatic note-bending, short bursts of melody, and more upper range screaming. This is some of Sweum’s most interesting playing. He should also get credit for not ending his album with a show stopper tune but rather something that leaves the listener wanting more.

    “More Than Imaginable” is a work that has a lot of variety in its tunes, and Sweum’s playing is solid throughout. The supporting work from Simon, Penn, and Robaire is very good, with Simon soloing at least as well as Sweum. I find a bit too much uniformity in Sweum’s playing and a lack of risk-taking and suspense-building, but this is a minor criticism. Based on “More Than Imaginable,” Ricky Sweum deserves to have his future work watched closely, as he clearly has the potential to be a great player.

    Note: I downloaded this CD from the Ninjazz Records website, along with (at no extra charge) the CD photos, 51 additional session photos, and the PDF’s of the sheet music for the CD’s tunes. This was a very nice deal.

  5. :

    Published on longplayrecenzje.blox.pl
    [Polish Jazz Site]

    Ricky Sweum to jeden z najbardziej aktywnych saksofonistów jazzowych ostatnich lat. Z powodzeniem realizuje się w składzie formacji Air Force Band of the Pacific w Anchorage na Alasce, lecz także intensywnie koncertuje w całych Stanach Zjednoczonych oraz z różnymi składami m.in. w Japonii i Australii. W jego kalendarium koncertowym znajdziemy występy na tak znakomitych scenach jak choćby Carnegie Hall czy udział w niezliczonej wręcz ilości prestiżowych festiwali jak np. Monterey Jazz Festival. Równolegle z karierą muzyczną Sweum realizuje się też jako zawodowy żołnierz Amerykańskiej Armii, co sprawia iż niejednokrotnie zdarza mu się koncertować także podczas stacjonowania w odległych zakątkach świata.

    Jako leader własnego kwartetu fonograficznie zadebiutował w 2009 roku pod flagą renomowanej wytwórni Origin Records w 2009 roku płytą ”Pulling Your Own Strings”.

    ”More Than Imaginable” to zestaw dziesięciu oryginalnych, autorskich utworów Ricky’ego Sweuma potwierdzających zarówno jego nieograniczoną wirtuozerię jak i zdolność kompozytorską i aranżacyjną. Saksofonista skompletował doprawdy wyśmienity skład, z którym udało mu się uzyskać wspaniałe brzmienie będące zarówno doskonałym hołdem dla klasycznych jazzowych nagrań z lat 70-tych, jak i świetną nowoczesną produkcją XXI wieku. Przy fortepianie zasiadł Edward Simon z Wenezueli, a sekcję rytmiczną stanowią: kontrabasista z Południowej Kalifornii Dave Robaire i doskonały perkusista Clarence Penn -znany polskim miłośnikom jazzu z nagranej wspólnie z Maciejem Grzywaczem i Yasushi Nakamurą płyty ”Black Wine” (2011).

    Trudno wyszczególnić najpiękniejsze momenty tego, utrzymującego niezwykle wysoki poziom albumu. Na pewno na uwagę zasługuje ”perełka” jaką niewątpliwie jest utwór tytułowy o melodyce ”skazującej” go na porównania z największymi skarbami jazzowego świata. Piękna konstrukcja, wyśmienita praca każdego z czterech instrumentalistów -kanoniczna niemal perfekcja w każdym calu!

    Zarówno w takich utworach jak np. piękna ballada o ściśle zorientowanej melodyce ”Belonging”, jak i podczas bardziej odważnych stylistycznie rozimprowizowanych fragmentów w rodzaju swobodnego tematu ”Chekhovian Circus Song”, odnosimy wrażenie obcowania z muzyką najwyższej próby.

    Sweum z doskonałą swobodą kreuje nowoczesne post bopowe dźwięki za pomocą zarówno tenorowego jak i sopranowego saksofonu, w obu przypadkach robiąc wrażenie wyśmienicie czującego się w obu konwencjach brzmieniowych. Mimo, iż ”More Than Imaginable” jest płytą mającą wszelkie cechy zaangażowanej muzyki improwizowanej, pozostaje płytą bardzo melodyjną i przystępną. Tytuł albumu (”Więcej niż można sobie wyobrazić”) wydaje się niezwykle trafnym motto całej 70-minutowej płyty.

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